Madonna does it her way at high-energy Garden show - Boston.com

As we have all surely learned by now, Madonna does not do half-measures.

Tuesday night at TD Garden the truly, remarkably indefatigable pop superstar powered her way through a sold-out performance just shy of two hours and heavy on the razzle dazzle.

The show included but was not limited to: a seedy motel set, on which a gun-toting Madonna was attacked on all sides by assailants she handily dispatched in choreographed fight scenes set to the dark Gang Bang; a phalanx of flying drum majors beefing up the backbeat on the jubilant Give Me All Your Luvin; a crew of slackline acrobats flipping, twisting, and bobbing on wires during the disco throbber Hung Up; video cameos by Nicki Minaj and Lil Wayne; a bevy of costume changes; and a full stage of nearly 30 dancers, instrumentalists, and singers clad in choir robes, ecstatically raising their voices on Like a Prayer. Add an elaborate, state of the art stage with banks of platforms rising and falling and walls of video screens, and Madonnas arsenal was short only a kitchen sink.

Madonna herself remains impressively fleet of foot, dancing nearly non-stop; and when she sang live, she was perfectly competent of voice, even if the mix didnt always do her favors.

Most Madonna fans know she is no mere jukebox in concert and has too many songs to please every fan with a wish list, but anyone who expected all that effort and spectacle to be in service of her greatest hits, was likely disappointed that the show focused so heavily on her middling latest album, MDNA. Often when she did do familiar songs, they were either partial performance teases (Papa Dont Preach), mash-ups (Candy Shop and Erotica), or drastically reinvented, like her deathly, dirge-like waltz version of Like a Virgin.

Older songs that got the full treatment included a bouncy take on Express Yourself which snuck in bits of Lady Gagas Born This Way and, pointedly, Madonnas Shes Not Me. A sassy Vogue, in cla! ssic form, came complete with flamboyantly-clad dancers strutting down the arrow-shaped runway that jutted into the arena and corralled a portion of the crowd on the floor

While some of the MDNA songs benefited from live concert energyone of the albums stand-outs, moody ballad Masterpiece was enriched by Basque trio Kalakanits hard to imagine a majority of fans preferring them to any one of the many hits that flew by in a rapid-fire video montage at one point.

But as we all have also surely learned at this point, Madonna does just what she wants to do, and there is something admirable, if not totally satisfying, about that.

Sarah Rodman can be reached at srodman@globe.com. Follow her on Twitter @GlobeRodmanend of story marker

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