With sales of Madonnas latest album, MDNA , at historic lows , its not surprising that the accompanying world tour has been less a musical event than a carefully choreographed spectacle of political controversy. Virtually every show included a political statement, tailor-made to the city Madonnas performing in. In Paris , she put a swastika on right-wing French politician Marine Le Pens forehead. In Istanbul , she flashed a nipple. In Washington, D.C. , she called President Barack Obama a black Muslim ironically, she later added. Music and Hollywood press covered each concert as its own, sui generis, moment of protest and art. Madonnas regional diatribes often seemed dilettantish and desperate, but for a while I was able to convince myself that her catch-all activist stance was well-earned. Or that anyone who said otherwise was sexist, anyway, eager to tear down a woman determined to be a sex symbol into her Social Securitycollecting years. After all, wasnt the rosary-desecrating foe ...